Farber, a Uruguayan artist based in New York, explores the intersection of history, photography, and geography in both our digital and physical realities. Her work challenges the boundaries of the virtual world, crafting layered images that delve into themes of knowledge, trust, and truth.
In her previous series, Isolarii (2021-2024), she blended historic and contemporary cartography, using custom software to weave together diverse imagery into large-scale artworks. This meticulous process evokes early visualisations of the globe, while questioning the reliability of geographic information systems and their impact on our understanding of space.
With this new collection, Farber not only reflects on the colonial legacy of mapping but also critiques the corporate narratives shaped by technology. Her expansive imagery offers a poignant escape from our hyper-connected existence, inviting viewers to consider the frameworks of knowledge and the universal language of mapping.